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BREAKING NEWS
100Days: Thirike, Neestream and Gopi Make their Way into the India Book of Records
Gossip: Thudippu Dance Foundation’s Fierce Premiere Reclaims Women’s Bodies and Voices at Kochi Biennale
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KINFRA Signs MoU with Goldsikka Pvt Ltd to Set up Global Gold City at Mattannur
Kerala Budget Increases Allocation for Tourism Sector to Rs 413.52 cr
Rs 99.52 Cr for KSUM; Three New Schemes Rolled Out
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  • KMB 2016 Receives Around 20,000 Visitors During Free Entry on Monday

    By NE Reporter on December 27, 2016

    KOCHI:
    The first in a series of free entry Mondays at the ongoing third edition of the Kochi-Muziris Biennale (KMB) today saw a record one-day turnout of around 20,000 people.
    Winding queues of visitors, including several families with young children, at Aspinwall House stretched out into the streetcrowd-2 between 11 am and 5 pm. In order to accommodate everyone waiting to get in, the Biennale kept its doors open until after the scheduled closing time.
    “The record crowd at the Biennale is a reflection of its reputation as the ‘People’s Biennale’. Besides providing a boost to art and culture, it has revitalised the state’s economy and tourism sector, which had been on a downward spiral due to demonetisation,” said Minister for Tourism Kadakampally Surendran.
    The scene inside the Biennale’s primary venue mirrored that at its gates with long lines at the artworks. Slovenian artist Aleš Šteger’s installation ‘Pyramid of Exiled Poets’ proved especially
    popular with people standing in line for almost an hour to enter the structure.
    “I thought P.K. Sadanandan’s mural based on an interesting piece of mythology was wonderful. I had seen something similar when I was visiting temples in Kerala, but the scale of the work and the pains he is taking to stay true to his vision as an artist is extraordinary,” said David Cartu, an Israeli tourist.
    Other big draws on the day were Lundahl & Seitl’s performance-based work, ‘Symphony of a Missing Room: The Mnemosyne Revolution’, Camille Norment’s sound installation ‘Prime’ and Wu-Tien Chang’s illusive video exhibit ‘Farewell, Spring and Autumn Pavilions’.
    For families, there was fun to be had putting together graphic artist Orijit Sen’s jigsaw exhibit ‘Going PlayCes’, taking in the Art by Children exhibition, buying collectibles from the Biennale shop. The cafe at Aspinwall House was kept busy as well.
    “I think it is a wonderful initiative by the Biennale to have free entry on Mondays. I would not have been able to afford to bring my whole family otherwise. It is a good idea that makes the internationally renowned art event open to more people,” said Riyadh Ali, from Kochi.
    On an earlier visit to the Biennale, Ernakulam District Collector Shri K. Mohammed Y. Safirulla highlighted that the works had inspired him to think about ordinary things in different ways.
    “Artists across the world are sharing their thoughts about the ordinary happenings in our daily life. Some of these works helps us to reorient ourselves and see normal things with a different perspective,” the Collector said, adding that he had been awe-struck by ‘Sea of Pain’, an installation from Chilean poet-revolutionary Raúl Zurita.

    NE Reporter

    Aspinwall HouseFort Kochifree entryKMBKochi - Muziris BiennalePeople's Biennale

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    Live Updates

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    • KINFRA Signs MoU with Goldsikka Pvt Ltd to Set up Global Gold City at Mattannur
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    • Gossip: Thudippu Dance Foundation’s Fierce Premiere Reclaims Women’s Bodies and Voices at Kochi Biennale
    • Global Ayurveda and Wellness Conclave to Showcase Kerala as Domain Leader
    • KINFRA Signs MoU with Goldsikka Pvt Ltd to Set up Global Gold City at Mattannur
    • Kerala Budget Increases Allocation for Tourism Sector to Rs 413.52 cr
    • Rs 99.52 Cr for KSUM; Three New Schemes Rolled Out

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